When does an image become war propaganda? Where does the responsibility of the war photographer lie? Can photography become a purely political act?
Stronger Than a Bullet follows war photographer Saeid Sadeghi as he retraces zones of the Iran-Iraq War (1980-1988), which he photographed throughout its duration. His photos of soldiers depicting heroism and joy were - and still are today - an important tool of government propaganda. A firm supporter of the Iranian Revolution at the time, he is now tormented by his shared responsibility for the deaths of countless soldiers, many of whom were ve...
